Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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ZURBARAN Francisco de
St Hugo of Grenoble in the Carthusian Refectory

ID: 07094

ZURBARAN  Francisco de St Hugo of Grenoble in the Carthusian Refectory
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ZURBARAN  Francisco de St Hugo of Grenoble in the Carthusian Refectory


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ZURBARAN Francisco de

Spanish Baroque Era Painter, 1598-1664 Spanish painter. He was apprenticed in 1614 to a painter in Sevilla (Seville), where he lived until 1658 when he moved to Madrid. He had a few royal commissions but remained throughout his life a provincial painter of religious pictures. His apostles, saints, and monks are painted with almost sculptural modeling, and his emphasis on the minutiae of their dress lends verisimilitude to their miracles, visions, and ecstasies. This distinctive combination of naturalism with religious sensibility conforms to the guidelines for Counter-Reformation artists outlined by the Council of Trent. He had numerous commissions from monasteries and churches throughout southern Spain, and many of his works were sent to Lima, Peru.  Related Paintings of ZURBARAN Francisco de :. | The Holy Family | Gemaldezyklus fer das Hieronymitenkloster in Guadalup | Still-life with Lemons, Oranges and Rose | Meditation of St Francis | The Vision of St Peter of Nolasco |
Related Artists:
Henri Bellech-ose
Brabant active in Dijon 1415-Dijon 1440/44
Palma Vecchio
1480-1528 Italian Palma Vecchio Gallery His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE
Henry George Hine,RI
1811-1895






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